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The jam session and jazz studies

2014-12Journal article Restricted access
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dc.contributor.authorPinheiro, Ricardo
dc.date.accessioned2020-03-12T16:02:22Z
dc.date.available2020-03-12T16:02:22Z
dc.date.issued2014-12
dc.description.abstractThis paper examines relevant works on jam session, focusing on how this performative practice has been approached in jazz literature. Starting from bibliographical research and the fieldwork the author analyzes to what extent these works reflect poor and decontextualized perspectives on a performative practice that is crucial for the development of the creative process, learning and construction of professional musicians' networks. The existing studies on the jam session are insufficient for obtaining considerable information about this practice in its musical, social and cultural settings, namely in terms of its functioning and role in the context of the jazz scene. The musicians' discourse is often neglected in most works on this topic.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.issn0351-5796
dc.identifier.urihttp://hdl.handle.net/10400.21/11242
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherCroatian Musicological Societypt_PT
dc.subjectJam sessionpt_PT
dc.subjectPerformative practicept_PT
dc.subjectJazz literaturept_PT
dc.subjectJazz scenept_PT
dc.titleThe jam session and jazz studiespt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage344pt_PT
oaire.citation.startPage335pt_PT
oaire.citation.titleInternational review of the aesthetics and sociology of musicpt_PT
person.familyNameFutre Pinheiro
person.givenNameRicardo Nuno
person.identifier.ciencia-idDE1B-CA7D-9B5C
person.identifier.orcid0000-0003-2599-7057
person.identifier.ridAAH-4436-2020
person.identifier.scopus-author-id55531191500
rcaap.rightsrestrictedAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication557c8750-c00d-40bd-b12d-ca691731093f
relation.isAuthorOfPublication.latestForDiscovery557c8750-c00d-40bd-b12d-ca691731093f

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