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Authors
Advisor(s)
Abstract(s)
O presente estudo tenta enquadrar e retratar o que foi o mais conhecido e importante guarda-roupa português. Nesse sentido, reporta-nos para a vida e obra de Alberto Anahory (1906-2000), seu fundador. A reunião da principal informação para a construção deste trabalho assentou no registo de entrevistas feitas a diversos profissionais da área do espetáculo, conhecidos ou familiares, sem as quais não seria possível fazer esta reconstituição teórica. Para além disso, recorreu-se a recolha bibliográfica ou de registos escritos.
Este trabalho procura fazer uma contextualização histórica da situação do meio teatral à época em que o autor inicia a carreira profissional, sublinhando de forma autónoma acontecimentos como o Cortejo Histórico ou o surgimento do Teatro do Povo, pela sua importância. O estudo aborda a família Anahory e a contribuição artística dada por alguns dos seus elementos.
O capítulo Flores de Pano procura fazer uma reconstituição biográfica da vida deste figurinista, especificando alguns dos seus traços de carácter, expondo acontecimentos e contatos pessoais que definiram o seu percurso.
O capítulo Guarda-Roupa Fantasma retrata a construção do Guarda-Roupa Anahory, o seu crescimento e afirmação como empresa no meio do entretenimento. Afere-se aqui a diversidade de trabalhos realizados. Este momento do trabalho procura explicar o funcionamento da empresa, até ao decair da sua atividade e posterior extinção.
ABSTRACT - This study tries to frame and portray the most known and important portuguese wardrobe. It focuses on the life and work of it its founder Alberto Anahory (1906-2000). Most information gathered for this work relies on interviews with several entertainment business professionals or family members, without which would be impossible to make this theoretical reconstruction. Besides that, bibliography and written records were resorted to add depth to the study. This work aims to portray the historical contextualization of the theatrical community at the time of the founder’s professional career beginning, highlighting important events such as Cortejo Histórico or the emergence of Teatro do Povo. The study also addresses some of the most relevant elements of the Anahory family in regards to their contribution to the arts. The Flores de Pano chapter seeks to make a biographical reconstruction of this costume designer’s life, from his childhood to his death, specifying some of his personality traits, exposing events and personal contacts that defined his path. The Guarda-Roupa Fantasma chapter portrays the construction of Guarda-Roupa Anahory, it’s growth and affirmation as a company in the entertainment business. It assesses the diversity of the works produced. This part of the research seeks to explain how the company worked, until the decay of its activity and later extinction.
ABSTRACT - This study tries to frame and portray the most known and important portuguese wardrobe. It focuses on the life and work of it its founder Alberto Anahory (1906-2000). Most information gathered for this work relies on interviews with several entertainment business professionals or family members, without which would be impossible to make this theoretical reconstruction. Besides that, bibliography and written records were resorted to add depth to the study. This work aims to portray the historical contextualization of the theatrical community at the time of the founder’s professional career beginning, highlighting important events such as Cortejo Histórico or the emergence of Teatro do Povo. The study also addresses some of the most relevant elements of the Anahory family in regards to their contribution to the arts. The Flores de Pano chapter seeks to make a biographical reconstruction of this costume designer’s life, from his childhood to his death, specifying some of his personality traits, exposing events and personal contacts that defined his path. The Guarda-Roupa Fantasma chapter portrays the construction of Guarda-Roupa Anahory, it’s growth and affirmation as a company in the entertainment business. It assesses the diversity of the works produced. This part of the research seeks to explain how the company worked, until the decay of its activity and later extinction.
Description
Dissertação submetida à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro – especialização em Design de Cena
Keywords
Teatro em Portugal Cortejo histórico Exposição do mundo português Colectividade de Santo Amaro Sociedade de Instrução Tavaredense Família Anahory Guarda-Roupa Anahory Figurinos Teatro Cinema Televisão Portugal Theatre Santo Amaro’s colectivity Anahory’s family Anahory’s wardrobe Clothing design Theatre Cinema Tv
Pedagogical Context
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema