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Abstract(s)
Resumo - A improvisaĆ§Ć£o Ć© uma realidade complexa, mas de uma importĆ¢ncia extrema para o desenvolvimento de um mĆŗsico. Constitui-se como um aspecto fundamental na preparaĆ§Ć£o da performance, numa busca pelo conhecimento tĆ©cnico/musical, necessĆ”rio para a integridade pessoal e profissional do instrumentista. De modo a compreender melhor esta temĆ”tica, realizei um estudo que teve como ponto de partida a anĆ”lise de conteĆŗdo do livro Breaking Free, de Jeffrey Brillhart, publicado em 2011. Este autor apresenta um mĆ©todo de improvisaĆ§Ć£o, em Ć³rgĆ£o, sobre as tĆ©cnicas da mĆŗsica francesa do sĆ©culo XX, ajudando, assim, o organista a encontrar uma linguagem pessoal e um caminho para a improvisaĆ§Ć£o num estilo prĆ³prio.
O presente relatĆ³rio artĆstico pretende, deste modo, analisar o mĆ©todo referido partindo da procura de uma definiĆ§Ć£o de improvisaĆ§Ć£o, da sua execuĆ§Ć£o e reflexĆ£o sobre a mesma. Para a realizaĆ§Ć£o da componente prĆ”tica da improvisaĆ§Ć£o foi efectuado um estudo individual, de pequena duraĆ§Ć£o, de modo a testar a prĆ”xis da metodologia de Brillhart. Concluiu-se que a concentraĆ§Ć£o, o foco, a motivaĆ§Ć£o, a anĆ”lise, a memĆ³ria, entre outros, sĆ£o factores que influenciam o estudo da improvisaĆ§Ć£o. Por outro lado, o papel do estudante Ć© fulcral na procura de estratĆ©gias e de um mĆ©todo individual, contribuindo, assim, para o crescimento e enriquecimento do mĆŗsico do sĆ©culo XXI.
Abstract - Improvisation is a complex reality, but with an extreme importance to a musicianās development. It is a fundamental aspect in the performerās formation and in the search for musical knowledge needed to the personal and professional integrity of the organist. To better understand this theme, a study that started with the analysis of the Jeffrey Brillhartās Book Breaking Free, published in 2011 was developed. The author presents a method of organ improvisation based on 20th Century French music techniques, in order to help the organist find a personal language and the path to an improvisation style of his own. This artistic report aims to analyse Brillhartās method through the search of a definition of improvisation and a reflection about it. To the practical fulfilment of the project a short individual study was made, in order to test the practice of the method in question. It was concluded that concentration, focus, motivation, analysis, and memory, among others, are factors influencing the study of improvisation. On the other hand, the student's role is crucial in the search of strategies and an individual practice method, thus contributing to the growth and enrichment of the player of the XXI century.
Abstract - Improvisation is a complex reality, but with an extreme importance to a musicianās development. It is a fundamental aspect in the performerās formation and in the search for musical knowledge needed to the personal and professional integrity of the organist. To better understand this theme, a study that started with the analysis of the Jeffrey Brillhartās Book Breaking Free, published in 2011 was developed. The author presents a method of organ improvisation based on 20th Century French music techniques, in order to help the organist find a personal language and the path to an improvisation style of his own. This artistic report aims to analyse Brillhartās method through the search of a definition of improvisation and a reflection about it. To the practical fulfilment of the project a short individual study was made, in order to test the practice of the method in question. It was concluded that concentration, focus, motivation, analysis, and memory, among others, are factors influencing the study of improvisation. On the other hand, the student's role is crucial in the search of strategies and an individual practice method, thus contributing to the growth and enrichment of the player of the XXI century.
Description
Mestrado em MĆŗsica ā ĆrgĆ£o
Keywords
ĆrgĆ£o ImprovisaĆ§Ć£o MĆŗsica francesa Breaking free Jeffrey Brillhart Organ Improvisation
Citation
Publisher
Instituto PolitĆ©cnico de Lisboa - Escola Superior de MĆŗsica de Lisboa