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Authors
Advisor(s)
Abstract(s)
O problema da ilegibilidade de certas formas da dança é o tema central deste projeto. Através da escrita e da proposta de um percurso performático, reflete-se sobre as motivações por detrás da criação de discursos que têm como objetivo a disciplinação dos corpos considerados ilegíveis e, portanto, suscetíveis de contestar aos modelos corporais em processo de formação, ou já vigentes.
A relação entre a dança e a Igreja é examinada, tomando como exemplo o cancioneiro do Llibre Vermell de Montserrat e o conto de H. C. Andersen Os Sapatos Vermelhos.
Propõe-se olhar para a história desde uma perspetiva coreográfica, quer dizer, entender o passado em diálogo constante com o presente e moldado por discursos e corpos que desenham traços, não lineares e contínuos, mas disruptivos e móveis.
ABSTRACT - The illegibility of certain forms of dancing is the main topic of this project. Through written research and a performative itinerary, it is considered the motivation behind the conformation of discourses that have as an aim the discipline of bodies considered illegible and, as such, liable to put into question body-models in process of being form, or already in force. The relationship between dance and the Church is examined, taking as an example the Llibre Vermell de Montserrat song book and H. C. Andersen’s fairy tale The Red Shoes. Finally, it is proposed to look at History from a choreographic perspective. This means, understanding the past in constant dialog with the present, and shaped by discourses and bodies that design strokes, not linear and progressive, but disruptive and mobile.
ABSTRACT - The illegibility of certain forms of dancing is the main topic of this project. Through written research and a performative itinerary, it is considered the motivation behind the conformation of discourses that have as an aim the discipline of bodies considered illegible and, as such, liable to put into question body-models in process of being form, or already in force. The relationship between dance and the Church is examined, taking as an example the Llibre Vermell de Montserrat song book and H. C. Andersen’s fairy tale The Red Shoes. Finally, it is proposed to look at History from a choreographic perspective. This means, understanding the past in constant dialog with the present, and shaped by discourses and bodies that design strokes, not linear and progressive, but disruptive and mobile.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Artes Performativas
Keywords
Coreo-história Corporalidade medieval Igreja Dança Ilegibilidade Choreo-history Medieval corporeality Church Dance Illegibility
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema