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Authors
Advisor(s)
Abstract(s)
O presente relatório tem como propósito retratar os projetos de artes plásticas e cenografia
acompanhados no decorrer do estágio curricular com Vasco Araújo, com foco nas metodologias
do artista e formas de interseção disciplinar por ele utilizadas. Centra-se nos processos
de pesquisa, conceção e produção de Araújo, quer nas suas obras plásticas, quer nos projetos
de cenografia para a companhia Cão Solteiro. Para apurar os procedimentos do artista neste
contexto, o trabalho parte dos projetos nos quais Araújo esteve envolvido entre setembro de
2020 e março de 2021, sendo dedicado a cada um deles um capítulo: 1 - Pathosformel; 2 -
Um oásis ao entardecer; 3 - Heading against the wall; 4 - Azul vermelho Azul manteiga; 5 -
trabalho de estúdio. Para cada trabalho, é efetuada uma análise formal e temática, que culmina
na descrição das metodologias envolvidas na criação. Ademais, reflete-se neste relatório sobre
questões inerentes à prática artística e cenográfica de Vasco Araújo, designadamente enquanto
criador português. Nessa medida, cada um dos trabalhos analisados suscita questões acerca da
realidade artística nacional, relação entre artista e curador, preponderância da cenografia na
dramaturgia dos espetáculos, pontos de comunicação entre metodologias de artes plásticas e
cenografia, interdisciplinaridade e modos de exposição.
De molde a enquadrar as obras de Vasco Araújo nas práticas de artes plásticas e cenografia
contemporâneas, o relatório faz-se acompanhar de entrevistas conduzidas não só junto
do artista, mas também de alguns membros da companhia com a qual colabora. A par destes
textos, o presente trabalho recorre a registo fotográfico e a documentos de trabalho para refletir
a dimensão prática dos projetos.
Por fim, e considerando que este relatório decorre de um estágio, procura um posicionamento
relativamente às práticas observadas, contribuindo para uma formação metodológica
e artística que preconiza, no plano pessoal, a interseção disciplinar e mediática.
ABSTRACT - The present report means to portray the visual arts and scenography projects followed during the curricular internship with Vasco Araújo, focusing on the artist’s methodologies and the disciplinary intersections by him employed. It centers around Araújo’s research, conception and production processes, both on his visual arts and scenography projects for the theatre company Cão Solteiro. To determine the artist’s procedures in these contexts, the report follows the projects in which Araújo was involved between September 2020 and March 2021, having a chapter dedicated to each one: 1 - Pathosformel; 2 - Um oásis ao entardecer; 3 - Heading against the wall; 4 - Azul vermelho Azul manteiga; 5 - studio work. Each project has a thematic and formal analysis which culminates in the description of the methodologies involved in its creation. Furthermore, in this report matters inherent to Vasco Araújo’s artistic and scenographic practices are reflected upon, namely as a Portuguese creator. In that sense, each of the analyzed projects arises questions about the national artistic reality, the relationship between artist and curator, the scenography’s preponderance in the play’s dramaturgy, the bridges between visual arts and scenography, interdisciplinarity and ways of exhibition. So that it accommodates Vasco Araújo’s works in the visual arts and scenography contemporary practices, the report is accompanied by interviews directed not only to the artist but also to some of the members of the theatre company for which he collaborates. Besides these texts, this report makes use of photographic records and work documents to reflect the practical dimension of the projects. Lastly, and considering the present report as the result of an internship, it seeks to make a stance in relation to the observed practices feeding into a methodological and artistic formation that advocates, on a personal level, the disciplinary and media intersection.
ABSTRACT - The present report means to portray the visual arts and scenography projects followed during the curricular internship with Vasco Araújo, focusing on the artist’s methodologies and the disciplinary intersections by him employed. It centers around Araújo’s research, conception and production processes, both on his visual arts and scenography projects for the theatre company Cão Solteiro. To determine the artist’s procedures in these contexts, the report follows the projects in which Araújo was involved between September 2020 and March 2021, having a chapter dedicated to each one: 1 - Pathosformel; 2 - Um oásis ao entardecer; 3 - Heading against the wall; 4 - Azul vermelho Azul manteiga; 5 - studio work. Each project has a thematic and formal analysis which culminates in the description of the methodologies involved in its creation. Furthermore, in this report matters inherent to Vasco Araújo’s artistic and scenographic practices are reflected upon, namely as a Portuguese creator. In that sense, each of the analyzed projects arises questions about the national artistic reality, the relationship between artist and curator, the scenography’s preponderance in the play’s dramaturgy, the bridges between visual arts and scenography, interdisciplinarity and ways of exhibition. So that it accommodates Vasco Araújo’s works in the visual arts and scenography contemporary practices, the report is accompanied by interviews directed not only to the artist but also to some of the members of the theatre company for which he collaborates. Besides these texts, this report makes use of photographic records and work documents to reflect the practical dimension of the projects. Lastly, and considering the present report as the result of an internship, it seeks to make a stance in relation to the observed practices feeding into a methodological and artistic formation that advocates, on a personal level, the disciplinary and media intersection.
Description
Relatório de Estágio submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Design de Cena
Keywords
Vasco Araújo Metodologias de trabalho Artes plásticas Cenografia Cão Solteiro Work methodologies Visual arts Scenography
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema