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Authors
Advisor(s)
Abstract(s)
Lisboa, cidade cenográfica é uma instalação que resulta dum processo de sucessivos registos de momentos, experiências e vivências da cidade de Lisboa, com diferentes narrativas. Através do método de assemblage de elementos retirados à rua e reconstruindo composições de blocos volumétricas que incluem desde imagens gráficas, à presença de fontes de luz e de som, e texturas várias, produzi uma instalação destinada a ser ocupada, como se do próprio processo de deambulação por uma cidade se tratasse
– neste caso Lisboa. A instalação final, – Lisboa, cidade cenográfica -, constitui em si uma maqueta, como
ponto de partida para um outro processo, quase interminável, que conduzisse a uma outra instalação que nos engolisse e se apoderasse da nossa presença. Manipulando diferentes escalas, composições e morfologias de espaço obter-se-ia uma instalação quase infindável, como a própria cidade.
A actual instalação é como a síntese dum Fóssil Urbano. Na observação e captação de imagens da cidade houve a preocupação de efectuar a diferentes horas do dia. Os sons utilizados na instalação, foram gravados nas ruas de Lisboa e incluem desde sinos de igreja, ao chilrear de pássaros, aos aviões que
sobrevoam, ao trânsito e respectivas buzinas e sirenes de ambulâncias, entre outros. No âmbito do desenvolvimento do projecto e desta Memória Descritiva, tive a preocupação de pedir a algumas pessoas – Cartas de Lisboa -, testemunhando o modo como habitam ou habitaram a cidade. Nos headphones presentes na instalação, ouve-se o poema Lisbon Revisited (1923), de Álvaro de Campos, completando assim o som ambiente de Lisboa, cidade cenográfica. Aquele poema só audível daquele modo, acaba por se sobrepor assim, dum modo subtil, aos outros sons ambiente (exteriores aos headphones).
ABSTRACT - Lisboa, cidade cenográfica is an installation resulting from a process of successive recordings of moments, experiences and existences in the city of Lisbon, dealing with different narratives. Using a method of assemblage of elements taken from street environment and reconstructing compositions of volumetric blocks with various textures, which include from graphic images, to light and sound sources, I’ve produced an installation to be occupied, as the outcome of a process of strolling through a city, Lisbon in this case. The present installation – Lisboa, cidade cenográfica –, being like an Urban Fossil, is a kind of a model, as a starting point for another almost endless installation where one would be engulfed by. Through manipulation of different scale and space shapes, one would achieve a city like labyrinth. For the observation and recording of images from the city I was aware to do them at different times of the day. The sounds used in the installation, where recorded on the streets of Lisbon and they include church bells ringing, birds twitter, flying planes, traffic noise and ambulances sirens amongst others. The sounds used at the installation were recorded at Lisbon streets, and include the churches’ belts, the birds’ tweet, the airplanes overflying, the traffic and its horns and the ambulances’ buzzers, and so on. During the development of the project and its Memorandum I was concerned in asking a few people for – Letters from Lisbon –, as statements about the way they inhabit or remember the city. On the headphones that are part of the installation, we can listen the poem Lisbon Revisited (1923), by Álvaro de Campos. This completes the environmental sound of the installation Lisboa, cidade cenográfica. That poem one can only listen to with the headphones on, ends up overtaking all other environmental sounds, external to the headphones in a subtil manner.
ABSTRACT - Lisboa, cidade cenográfica is an installation resulting from a process of successive recordings of moments, experiences and existences in the city of Lisbon, dealing with different narratives. Using a method of assemblage of elements taken from street environment and reconstructing compositions of volumetric blocks with various textures, which include from graphic images, to light and sound sources, I’ve produced an installation to be occupied, as the outcome of a process of strolling through a city, Lisbon in this case. The present installation – Lisboa, cidade cenográfica –, being like an Urban Fossil, is a kind of a model, as a starting point for another almost endless installation where one would be engulfed by. Through manipulation of different scale and space shapes, one would achieve a city like labyrinth. For the observation and recording of images from the city I was aware to do them at different times of the day. The sounds used in the installation, where recorded on the streets of Lisbon and they include church bells ringing, birds twitter, flying planes, traffic noise and ambulances sirens amongst others. The sounds used at the installation were recorded at Lisbon streets, and include the churches’ belts, the birds’ tweet, the airplanes overflying, the traffic and its horns and the ambulances’ buzzers, and so on. During the development of the project and its Memorandum I was concerned in asking a few people for – Letters from Lisbon –, as statements about the way they inhabit or remember the city. On the headphones that are part of the installation, we can listen the poem Lisbon Revisited (1923), by Álvaro de Campos. This completes the environmental sound of the installation Lisboa, cidade cenográfica. That poem one can only listen to with the headphones on, ends up overtaking all other environmental sounds, external to the headphones in a subtil manner.
Description
Trabalho de Projecto submetido à Escola Superior de Teatro e Cinema para cumprimento
dos requisitos necessários à obtenção do grau de Mestre em Teatro - Especialização em
Design de Cena
Keywords
Flâneur Assemblage Lisboa Cenográfico Instalação Deambulação Cidade Lisbon City Scenographic Installation Stroll
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema