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Expanded Lynch: synaesthetic intermediality as immersiveness in “Industrial symphony No. 1”

dc.contributor.authorChinita, Fátima
dc.date.accessioned2021-06-24T09:29:25Z
dc.date.available2021-06-24T09:29:25Z
dc.date.issued2021-06-02
dc.description.abstractThis article explores different meanings of the word “expansion” as it produces effect in David Lynch’s oeuvre and specifically Industrial Symphony No. 1: The Dream of the Brokenhearted, a twofold artwork with crucial significance. First, Lynch’s oeuvre should be considered full-fledged intermedial, and not just cinematic and/or painterly. Yet, its intrinsic performativity should be positioned as a specific type of intermedial relationship within media practice without exactly forming an intermedial aesthetics per se. Second, the film version of Industrial Symphony No. 1 is an artistic expansion of the stage production and not an adaptation thereof. It paradoxically induces in the viewers both a media consciousness and what I consider to be a sensorial immersion in the artwork, corresponding to Gene Youngblood’s concept of “synaesthetic cinema” and how it is perceived by the audience. Third, the opening up of the viewers’ senses corresponds to the medium’s flaunting of its properties in the form of a Deleuzian flux I call the “becoming-cinematic”.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.issn1795-6161
dc.identifier.urihttp://hdl.handle.net/10400.21/13476
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherFilmiverkko rypt_PT
dc.relation.publisherversionhttp://widerscreen.fi/numerot/2021-1-2/expanded-lynch-synaesthetic-intermediality-as-immersiveness-in-industrial-symphony-no-1/pt_PT
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/pt_PT
dc.subjectDavid Lynchpt_PT
dc.subjectIntermedialitypt_PT
dc.subjectExpanded cinemapt_PT
dc.subjectSynaesthesiapt_PT
dc.subjectImmersion
dc.subjectIndustrial symphony No. 1: The dream of the brokenhearted
dc.titleExpanded Lynch: synaesthetic intermediality as immersiveness in “Industrial symphony No. 1”pt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.issue1-2pt_PT
oaire.citation.titleWiderScreenpt_PT
oaire.citation.volume24pt_PT
person.familyNameMata
person.givenNameMaria
person.identifier.orcid0000-0001-7494-1039
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication4e5f0177-6b2a-4c33-8259-2ff05d9c945a
relation.isAuthorOfPublication.latestForDiscovery4e5f0177-6b2a-4c33-8259-2ff05d9c945a

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