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É objectivo deste artigo explorar a ideia de teatro que os textos de crítica teatral de Fernando Amado encerram ou ajudam a revelar. Para tal, importará dar conta do momento de renovação cénica e actualização cultural, de que a segunda metade dos anos quarenta é expoente, e das relações que o ideário formado por Fernando Amado, Redondo Júnior ou Gino Saviotti, entre outros, pode estabelecer com o que pela Europa Teatral se vai apelidando de teatro moderno.
ABSTRACT - This article will explore Fernando Amado’s theatre idea through his reviews. In order to do that I will consider the importance of the post–war theatre renovation movement and the efforts of cultural enlightenment that characterize the forties’ second half in Portugal. I will equally consider the relations that Amado’s, Redondo Júnior’s and Gino Savioti’s, among others, theatre idea can establish with its contemporary European modern theatre.
ABSTRACT - This article will explore Fernando Amado’s theatre idea through his reviews. In order to do that I will consider the importance of the post–war theatre renovation movement and the efforts of cultural enlightenment that characterize the forties’ second half in Portugal. I will equally consider the relations that Amado’s, Redondo Júnior’s and Gino Savioti’s, among others, theatre idea can establish with its contemporary European modern theatre.
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Fernando Amado Casa da Comédia História do teatro em Portugal Crítica de teatro Portuguese theatre history Theatre criticism