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Autores
Orientador(es)
Resumo(s)
A procura de novas ideias e materiais teve sempre um papel importante no
pensamento dos compositores, e desde o início da história da música que se pode verificar essa
influência com a constante evolução da escrita musical, desde a notação às técnicas de
composição e orquestração. A influência da tecnologia e do conhecimento tecnológico do som
permitiram ao compositor tanto entrar na física de um som e diretamente manipular as suas
características, providenciando um recurso inteiramente novo para a composição musical
dispondo dela como se de um mero instrumento se tratasse, ou até mesmo transformá-lo numa
extensão antinatural de um outro instrumento acústico. A presente investigação levada a cabo
ao longo de um período de dois anos letivos culminou com um portefólio composto por cinco
obras, que variam entre trabalhos puramente instrumentais influenciados pela tecnologia, e
obras com recurso à tecnologia como instrumento, ou até mesmo exclusivamente eletrónicas,
em diferentes formatos. Justificando a metodologia escolhida, o ato de compor por parte do
compositor é também em si uma forma de investigação. As conclusões aqui presentes resultam
da análise prática de todo o processo composicional e de performance das obras que integram
este portefólio.
ABSTRACT - The search for new ideas and materials has always had an important role in the composer’s way of thinking, and since the beginning of the history of music, one can verify this influence with the constant evolution of musical writing, from notation to the composition and orchestration techniques. As for the influence of technology and technological knowledge of sound, this allowed the composer both to enter the physics of a sound and directly manipulate its characteristics providing an entirely new resource for musical composition as disposing of it as if it were a mere musical instrument or even an unnatural extension of another acoustic instrument. The research carried out over a period of two academic years culminated in a portfolio consisting of five works, ranging from purely instrumental works influenced by technology, and works using technology as a tool, or even purely electronic, in different formats. Justifying the chosen methodology, the act of composing by the composer is also in itself a form of investigation. The conclusions presented here result from the practical analysis of the entire compositional process and performance of the works that are part of this portfolio. Keywords: music, composition, orchestration, perception, electronics.
ABSTRACT - The search for new ideas and materials has always had an important role in the composer’s way of thinking, and since the beginning of the history of music, one can verify this influence with the constant evolution of musical writing, from notation to the composition and orchestration techniques. As for the influence of technology and technological knowledge of sound, this allowed the composer both to enter the physics of a sound and directly manipulate its characteristics providing an entirely new resource for musical composition as disposing of it as if it were a mere musical instrument or even an unnatural extension of another acoustic instrument. The research carried out over a period of two academic years culminated in a portfolio consisting of five works, ranging from purely instrumental works influenced by technology, and works using technology as a tool, or even purely electronic, in different formats. Justifying the chosen methodology, the act of composing by the composer is also in itself a form of investigation. The conclusions presented here result from the practical analysis of the entire compositional process and performance of the works that are part of this portfolio. Keywords: music, composition, orchestration, perception, electronics.
Descrição
Relatório de projeto artístico - Mestrado em Música - Composição
Palavras-chave
Música Composição Orquestração Perceção Eletrónica
Contexto Educativo
Citação
Editora
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa