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Advisor(s)
Abstract(s)
É antiga a relação entre música e literatura, principalmente entre o canto e a poesia. O canto é o único instrumento em que é possível expressar um conteúdo semântico. A palavra toma forma numa melodia, ganhando ainda mais sentido pelo peso emocional que a música transporta. Os sonetos e redondilhas de Luís Vaz de Camões, o poeta português mais estudado até hoje, foram utilizados por diversos compositores ao longo do século XX. A partir desta importante relação entre os compositores e a poesia, serão abordadas neste trabalho algumas dificuldades do canto erudito em português, neste caso adaptado à sua vertente coral. Foram escolhidas algumas peças corais de dois importantes compositores da História da Música Portuguesa, Fernando Lopes-Graça e Luís de Freitas Branco. A interpretação destas peças apresentou alguns problemas de articulação e colocação vocal para os quais se procuraram soluções que favorecessem a sua execução e perceção.
ABSTRACT - It is the ancient relationship between music and literature, especially between singing and poetry. The voice is the only instrument that can express a semantic content. The word takes shape on a melody, still earning more sense for the emotional weight that the music conveys. The redondilhas and sonetos of Luis Vaz de Camões, the most studied Portuguese poet to date, have been used by many composers throughout the twentieth century. From this important relationship between composers and poetry, will be addressed in this paper some difficulties in Scholar singing in Portuguese, in this case adapted to its choral performance. Some choral pieces for two important composers in the history of Portuguese Music, Fernando Lopes-Graça and Luís de Freitas Branco were chosen. The performance of these pieces presented some problems of articulation and vocal technic for which we sought solutions that would favor its execution and perception.
ABSTRACT - It is the ancient relationship between music and literature, especially between singing and poetry. The voice is the only instrument that can express a semantic content. The word takes shape on a melody, still earning more sense for the emotional weight that the music conveys. The redondilhas and sonetos of Luis Vaz de Camões, the most studied Portuguese poet to date, have been used by many composers throughout the twentieth century. From this important relationship between composers and poetry, will be addressed in this paper some difficulties in Scholar singing in Portuguese, in this case adapted to its choral performance. Some choral pieces for two important composers in the history of Portuguese Music, Fernando Lopes-Graça and Luís de Freitas Branco were chosen. The performance of these pieces presented some problems of articulation and vocal technic for which we sought solutions that would favor its execution and perception.
Description
Área de especialização de Direção coral - Mestrado em Música
Keywords
Música coral Fonologia do português Poesia Fernando Lopes-Graça Luís de Freitas Branco Luís Vaz de Camões Choral music Portuguese phonology Poetry
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa