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Advisor(s)
Abstract(s)
A Sonata em Si menor de Franz Liszt e a Sonata para Piano op. 1 de Alban Berg são obras únicas no repertório pianístico. Embora compostas em contextos e períodos diferentes, ambas abrem caminho para a modernidade em termos harmónicos e composicionais, partindo da forma sonata.
No presente trabalho é feita uma breve análise das duas sonatas, explicando as técnicas composicionais utilizadas na procura de uma maior unidade em termos formais: a de transformação temática no caso de Liszt e de variação em desenvolvimento no caso de Berg. Ambas partem da aplicação, desenvolvimento ou variação de um número limitado de motivos para construção de todo o material da obra.
Para além da integração de ambas no seu contexto histórico, é feito um paralelismo entre as duas obras, explicando as suas características comuns e justificando a sua escolha para apresentação no meu Projecto Artístico.
ABSTRACT - The Sonata in B minor by Franz Liszt and the Piano Sonata op.1 by Alan Berg are unique works in the piano repertoire. Despite being written within different contexts and periods, both were innovative in regard to harmony and compositional technique, with the sonata form as a starting point. In the present work, a brief analysis of the two sonatas is presented, and the compositional techniques used towards a greater formal unity discussed. These are thematic transformation in Liszt’s case e developing variation in Berg’s. Both stem from the use, development or variation of a limited number of motifs. Besides framing each work in its historical context, a comparison is made exploring their common characteristics and explaining this choice for my Artistic Project.
ABSTRACT - The Sonata in B minor by Franz Liszt and the Piano Sonata op.1 by Alan Berg are unique works in the piano repertoire. Despite being written within different contexts and periods, both were innovative in regard to harmony and compositional technique, with the sonata form as a starting point. In the present work, a brief analysis of the two sonatas is presented, and the compositional techniques used towards a greater formal unity discussed. These are thematic transformation in Liszt’s case e developing variation in Berg’s. Both stem from the use, development or variation of a limited number of motifs. Besides framing each work in its historical context, a comparison is made exploring their common characteristics and explaining this choice for my Artistic Project.
Description
Mestrado em Música
Keywords
Liszt Berg Sonata Variação Transformação temática Variation Thematic transformation
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa