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Advisor(s)
Abstract(s)
O presente trabalho é constituído por duas partes: a performance e uma reflexão escrita
sobre as obras executadas. Quatro Invenções e Três Inflorescências de Fernando Lopes-
Graça, 5 Miniaturas de Carlos Marecos e Suite para violoncelo solo de António Pinho Vargas,
foram a escolha para este recital. A divulgação auditiva e a elaboração de uma reflexão
teórica orientada para uma maior compreensão das obras, aproximando-as da ideia do
criador, assim como a importância e relevância do contributo do intérprete para a criação
final, são os objetivos deste projeto artístico. Os processos de pesquisa incluirão a análise
das obras de um ponto de vista interpretativo, um conhecimento da restante produção
criativa dos compositores e o seu enquadramento histórico. Bibliografia produzida pelos
próprios e por outros acerca deles, reflexões, críticas, ensaios e pensamentos que
consubstanciem a problemática formulada, além da inclusão de interpretações das mesmas
obras por diferentes intérpretes, fazem parte da metodologia utilizada. Entrevistas aos
compositores Carlos Marecos e António Pinho Vargas serão incluídas no presente trabalho.
Com todos estes elementos, espero transmitir a convicção de que a obra de arte é
autónoma a partir da altura em que o compositor a terminou, sendo possível interpretá-la
de formas diferentes, sem com isso desvirtuar a ideia do seu criador.
ABSTRACT - This work is composed by two parts: performance and a written essay about the played compositions: Fernando Lopes-Graça Quatro Invenções and Três Inflorescências, Carlos Marecos 5 Miniaturas and António Pinho Vargas Suite for cello solo, which were the chosen pieces for this recital. To audio promote these compositions and to deliver a theoretical approach aimed at better understanding the pieces, but also to highlight the importance of the player's interpretation onto the final result, are the goals of this work. Research method will include interpretation analysis, a survey of these composers portfolio as well as their historical framing. Own artist written work and other’s about them, articles, thoughts and essays which frame the present thesis, plus interpretations of those author’s scores by different musicians, are also a part of this work methodology. Interviews with the authors Carlos Marecos and António Pinho Vargas will also be included in this work. With this research I hope to express my deep belief that an art work has a life of its own from the moment its author delivers it, opening up musicians different interpretations without necessarily spoiling the original author signature.
ABSTRACT - This work is composed by two parts: performance and a written essay about the played compositions: Fernando Lopes-Graça Quatro Invenções and Três Inflorescências, Carlos Marecos 5 Miniaturas and António Pinho Vargas Suite for cello solo, which were the chosen pieces for this recital. To audio promote these compositions and to deliver a theoretical approach aimed at better understanding the pieces, but also to highlight the importance of the player's interpretation onto the final result, are the goals of this work. Research method will include interpretation analysis, a survey of these composers portfolio as well as their historical framing. Own artist written work and other’s about them, articles, thoughts and essays which frame the present thesis, plus interpretations of those author’s scores by different musicians, are also a part of this work methodology. Interviews with the authors Carlos Marecos and António Pinho Vargas will also be included in this work. With this research I hope to express my deep belief that an art work has a life of its own from the moment its author delivers it, opening up musicians different interpretations without necessarily spoiling the original author signature.
Description
Mestrado em Música
Keywords
Séc. XX/XXI Compositores portugueses Violoncelo Intérpretes 20/21st century Portuguese composers Cello Performers
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa