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Authors
Advisor(s)
Abstract(s)
O presente estudo pretende refletir a representação do conceito de notalgia no cinema de
animação, através dos textos fílmicos ‘O Livro da Selva’ (1967) e ‘A Viagem de Chihiro’
(2001), oriundos de contextos culturais diferentes. Para tal, a reflexão irá ser dividida em
três partes: a primeira irá incidir sobre o cinema de animação, com ênfase na identidade
cultural no cinema; a segunda irá abordar o conceito de nostalgia enquanto sentimento e
a evolução que a sua representação teve no cinema; a terceira parte do nosso texto
debruça-se sobre o contexto social e cultural dos estúdios de animação que distribuíram
as duas obras cinematográficas (Disney e Ghibli). Tomar-se-á como matriz de análise e
reflexão a grelha construída que orientará a presente análise simbólica no âmbito dos
Estudos Fílmicos operacionalizando os Estudos Comparados. Estaremos aptos a
demonstrar que a representação da nostalgia, em textos fílmicos oriundos de contextos
culturais diferentes, reflete o background de cada cultura.
ABSTRACT: The present research aims to reflect throughout the concept of nostalgia as it is represented in two animation films: ‘The Jungle Book’ (1967) and ‘Spirited Away’ (2001), both inserted in different cultural contexts. For such, the work will be developed into three paths: the first will focus on animation cinema, emphasizing the cultural identity in cinema; the second will address the concept of nostalgia and its changes, either in animation films representation, either in its perception as a feeling; the work will also question on the social and cultural context of animation studios that distributed the two cinematographic works (Disney and Ghibli). Having accomplished that, an analysis grid will be conceived to access to a symbolic analysis in the context of comparative studies, allowing to highlight that the representation of nostalgia in filmic texts from different cultural contexts is done in a different way, thanks to the background of each culture.
ABSTRACT: The present research aims to reflect throughout the concept of nostalgia as it is represented in two animation films: ‘The Jungle Book’ (1967) and ‘Spirited Away’ (2001), both inserted in different cultural contexts. For such, the work will be developed into three paths: the first will focus on animation cinema, emphasizing the cultural identity in cinema; the second will address the concept of nostalgia and its changes, either in animation films representation, either in its perception as a feeling; the work will also question on the social and cultural context of animation studios that distributed the two cinematographic works (Disney and Ghibli). Having accomplished that, an analysis grid will be conceived to access to a symbolic analysis in the context of comparative studies, allowing to highlight that the representation of nostalgia in filmic texts from different cultural contexts is done in a different way, thanks to the background of each culture.
Description
Dissertação de mestrado apresentada à Escola Superior de Comunicação Social como parte dos requisitos para obtenção de grau de mestre em Audiovisual e Multimédia.
Keywords
Disney Ghibli Nostalgia Cinema de animação Textos fílmicos Animation cinema Filmic texts
Citation
Faria, J. G. (2021). Representação da nostalgia nos textos fílmicos de animação: O Livro da Selva (1967) e A Viagem de Chihiro (2001). [Dissertação de mestrado, Escola Superior de Comunicação Social]. Repositório Científico do Instituto Politécnico de Lisboa. http://hdl.handle.net/10400.21/14162
Publisher
Instituto Politécnico de Lisboa, Escola Superior de Comunicação Social