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Cold desert: processo de criação coreográfica
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No âmbito do Mestrado em Criação Coreográfica e Práticas Profissionais, na área de especialização em Coreografia (MCCPP), ministrado pela Escola Superior de Dança no ano letivo 2023/2024, desenvolvi o projeto coreográfico Cold Desert. A peça,
da minha autoria, estreou a 21 de maio de 2024 no Salão Preto e Prata do Casino Estoril, tendo como principal objetivo a criação de uma obra coreográfica contemporânea a partir de uma investigação sensorial e simbólica em torno do elemento Água e da prática
do mergulho livre (freediving). Concebida para dois bailarinos-intérpretes, a peça resultou de um processo de criação autoral que conduzi, ancorado em práticas de improvisação livre e estruturada,
pesquisa em contexto aquático e partilha sensível com os intérpretes. A metodologia que adoptei combinou o estudo técnico do mergulho (incluindo apneia estática e dinâmica) com exercícios corporais em estúdio e piscina, permitindo-me construir um vocabulário de movimento que reflete a fluidez, densidade e suspensão associadas ao meio aquático. A dramaturgia coreográfica foi desenvolvida com base na escuta e observação das sensações provocadas por cada intérprete durante as improvisações, o que conduziu à criação de personagens simbólicas, simultaneamente humanas e
etéreas. Ao longo do processo, partilhei com os intérpretes estímulos textuais diversos, como o célebre excerto de Bruce Lee sobre a fluidez da água, que contribuíram para a construção simbólica da peça. Estas referências, de natureza filosófica e sensorial, sustentaram a ligação temática com o elemento Água e com a ideia de presença.
Este relatório organiza-se em quatro capítulos: o enquadramento geral, o enquadramento teórico, o processo de criação da obra Cold Desert e a análise coreográfica da peça. A metodologia aplicada foi autoral, dirigida e imersiva, sustentada por práticas somáticas, improvisações e estímulos imagéticos. Esta criação coreográfica
procurou, acima de tudo, mergulhar na interioridade dos intérpretes e explorar o potencial expressivo do corpo em estados de presença.
ABSTRACT - As part of the Master's in Choreographic Creation and Professional Practices (MCCPP), specialising in Choreography and taught at Escola Superior de Dança during the academic year 2023/2024, I developed the choreographic project Cold Desert. This piece, authored and choreographed by me, premiered on 21 May 2024 at the Salão Preto e Prata of Casino Estoril, and aimed to create a contemporary choreographic work based on a sensory and symbolic investigation into the element of Water and the practice of freediving. Conceived for two dancer-performers, the piece emerged from a personal creative process which I directed, drawing on both free and structured improvisation, research in aquatic contexts, and a sensitive collaborative exchange with the performers. The methodology I adopted combined technical study of freediving (including static and dynamic apnea) with movement explorations in studio and pool, leading to the construction of a movement vocabulary reflecting the qualities of fluidity, density, and suspension associated with the aquatic environment. The choreographic dramaturgy was developed through close observation of the sensations evoked by each performer during improvisation, guiding the creation of symbolic characters that are both human and ethereal. Throughout the process, I shared several textual stimuli with the performers, including Bruce Lee’s well-known reflection on the fluidity of water, which inspired symbolic and imaginative aspects of the piece. These references, philosophical and sensorial in nature, supported the thematic relationship with Water and the notion of presence. This report is organised into four chapters: general context, theoretical framework, the creation process of Cold Desert, and a choreographic analysis of the work. The methodology applied was authorial, directed and immersive, grounded in somatic practices, improvisation, and imagistic stimuli. Above all, this choreographic creation aimed to explore the inner worlds of the performers and the expressive potential of the body in states of presence
ABSTRACT - As part of the Master's in Choreographic Creation and Professional Practices (MCCPP), specialising in Choreography and taught at Escola Superior de Dança during the academic year 2023/2024, I developed the choreographic project Cold Desert. This piece, authored and choreographed by me, premiered on 21 May 2024 at the Salão Preto e Prata of Casino Estoril, and aimed to create a contemporary choreographic work based on a sensory and symbolic investigation into the element of Water and the practice of freediving. Conceived for two dancer-performers, the piece emerged from a personal creative process which I directed, drawing on both free and structured improvisation, research in aquatic contexts, and a sensitive collaborative exchange with the performers. The methodology I adopted combined technical study of freediving (including static and dynamic apnea) with movement explorations in studio and pool, leading to the construction of a movement vocabulary reflecting the qualities of fluidity, density, and suspension associated with the aquatic environment. The choreographic dramaturgy was developed through close observation of the sensations evoked by each performer during improvisation, guiding the creation of symbolic characters that are both human and ethereal. Throughout the process, I shared several textual stimuli with the performers, including Bruce Lee’s well-known reflection on the fluidity of water, which inspired symbolic and imaginative aspects of the piece. These references, philosophical and sensorial in nature, supported the thematic relationship with Water and the notion of presence. This report is organised into four chapters: general context, theoretical framework, the creation process of Cold Desert, and a choreographic analysis of the work. The methodology applied was authorial, directed and immersive, grounded in somatic practices, improvisation, and imagistic stimuli. Above all, this choreographic creation aimed to explore the inner worlds of the performers and the expressive potential of the body in states of presence
Descrição
Relatório Final de Projeto apresentado à Escola Superior de Dança, com vista à obtenção do Grau de Mestre em Criação Coreográfica e Práticas Profissionais na área de Especialização em Coreografia.
Palavras-chave
Coreografia Dança contemporânea Processos de criação Estados de presença Mergulho livre Choreography Contemporary dance Ceative processes States of presence Freediving