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Authors
Advisor(s)
Abstract(s)
O presente projeto tem como principal objetivo ser uma reflexão sobre o meu trabalho enquanto atriz, centrando-me essencialmente nas falhas existentes de modo a poder corrigi-las. Quero com este projeto poder evoluir um pouco mais não só como atriz mas também como pessoa. O facto de este mestrado ser a única formação académica enquanto atriz, decidi tirar o maior partido possível não me focando tanto apenas em questões teóricas sobre teatro ou sobre outro assunto a ele inerente, mas sim sobre a minha formação, perceber e refletir de um modo mais profundo quais são as dificuldades que tenho e, obviamente, se não as conseguir corrigir a 100%, entendê-las da melhor forma possível para as encarar como mais um obstáculo que necessito de ultrapassar e não como algo que me demova dos meus objetivos. A escolha dos textos
prende-se também no facto de querer distanciar-me a um registo teatral no qual tenho trabalhado bastante, tendo mais vínculo e facilidade em encontrar o caminho certo na construção das personagens – o teatro para a infância, o qual trabalho desde há cinco anos consecutivos e por largos períodos de tempo. A escolha do elenco foi igualmente importante para todo este processo no sentido de desenvolvermos novas experiências e cumplicidade entre pessoas que estão habituadas a trabalhar há tantos anos juntas,
porem num outro registo totalmente diferente.
ABSTRACT - The present project has as its main objective to be a reflection on my work as an actress, focusing mainly on my flaws in order for me to be able to fix them. I want this project to help me evolve a little more as an actress and as a person. The fact that this masters degree is the only academic training I had as an actress, I decided to take as much as I could, not only focusing on theoretical aspects of theater or other related matters, but rather on my training, by perceiving and reflecting deeply upon the difficulties that I have. And even facing the constraint of not being able to improve upon all of them, I tried to understand them in the best possible way and face them as more obstacles that I need to overcome rather than letting them dissuade me of my goals. I selected these texts in order to dissociate myself from the theatrical register in which I have worked quite a lot, having more strength and ease in finding the right path in the construction of the characters – children’s theater, in which I work for five consecutive years and for extended periods of time. The choice of the cast was equally important for the whole of this process in order to develop new experiences and complicity between people who are accustomed to working together for many years however in another completely different tone.
ABSTRACT - The present project has as its main objective to be a reflection on my work as an actress, focusing mainly on my flaws in order for me to be able to fix them. I want this project to help me evolve a little more as an actress and as a person. The fact that this masters degree is the only academic training I had as an actress, I decided to take as much as I could, not only focusing on theoretical aspects of theater or other related matters, but rather on my training, by perceiving and reflecting deeply upon the difficulties that I have. And even facing the constraint of not being able to improve upon all of them, I tried to understand them in the best possible way and face them as more obstacles that I need to overcome rather than letting them dissuade me of my goals. I selected these texts in order to dissociate myself from the theatrical register in which I have worked quite a lot, having more strength and ease in finding the right path in the construction of the characters – children’s theater, in which I work for five consecutive years and for extended periods of time. The choice of the cast was equally important for the whole of this process in order to develop new experiences and complicity between people who are accustomed to working together for many years however in another completely different tone.
Description
Trabalho de Projecto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Artes Performativas - Interpretação
Keywords
Formação Obstáculos Cumplicidade Construção Personagem Texto Training Obstacles Complicity Construction Character Text
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema