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The power of the frame upon the viewer: multiple perspective seduction in Peter Greenaway's The tulse luper suitcases trilogy

2017Journal article Open access
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dc.contributor.authorChinita, Fátima
dc.date.accessioned2017-09-13T08:46:48Z
dc.date.available2017-09-13T08:46:48Z
dc.date.issued2017
dc.description.abstractIn The Tulse Luper Suitcases trilogy – Part 1 – The Moab Story (2003); Part 2 – From Vaux to the Sea (2004); Part 3 – From Sark to Finish (2004) – Peter Greenaway plays with the tension between three- and two-dimensionality. His digital cinema, which superimposes several layers of images and sounds, uses the frame as both instrument and theme of a meta-cinematic discourse on media and the way they interrelate. Drawing especially from painting and theatre, Greenaway rejects the Renaissance monocular perspective in favour of a haptic visuality that alternates between depth and flatness, between singleframed tableaux and multi-framed composite images. The result is a hybrid, a sort of “imploded” narrative, as disruptive as it is engaging. Although dismissing the traditional Western visual paradigm in general and the classical analytical montage in particular, Greenaway nevertheless bases his practice on some of the most renowned aspects of the continuity editing style, if only to undermine them. This critically revamped editing is aesthetically and cognitively seductive, acting upon the viewers’ fetishistic attraction for the medium as well as their affects and senses.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.issn2393-1221
dc.identifier.urihttp://hdl.handle.net/10400.21/7368
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisher“George Enescu” National University of Artspt_PT
dc.relation.publisherversionhttp://journalonarts.org/wp-content/uploads/2017/08/SVACij_Vol4_No1-2017-Fatima-Chinita_The-Power-of-the-Frame-upon-the-Viewer.pdfpt_PT
dc.subjectFramept_PT
dc.subjectMulti-layeringpt_PT
dc.subjectMulti-framept_PT
dc.subjectTwo- and three-dimensionalitypt_PT
dc.subjectSensespt_PT
dc.subjectImmersionpt_PT
dc.titleThe power of the frame upon the viewer: multiple perspective seduction in Peter Greenaway's The tulse luper suitcases trilogypt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.conferencePlaceIaşipt_PT
oaire.citation.endPage11pt_PT
oaire.citation.issuenº 1pt_PT
oaire.citation.startPage1pt_PT
oaire.citation.titleStudies in visual arts and communication: an international journalpt_PT
oaire.citation.volumevol. 4pt_PT
person.familyNameMata
person.givenNameMaria
person.identifier.orcid0000-0001-7494-1039
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication4e5f0177-6b2a-4c33-8259-2ff05d9c945a
relation.isAuthorOfPublication.latestForDiscovery4e5f0177-6b2a-4c33-8259-2ff05d9c945a

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