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Publication
Acho que faleci
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 6.01 MB | Adobe PDF |
Advisor(s)
Abstract(s)
Este relatório procura expor a criação da peça “Acho que Faleci", um monólogo - que flui por temáticas como a solidão, a morte e a necessidade humana - e as suas problematizações coadjuvantes. É um exercício de reflexão, não apenas sobre a peça em si, mas sobre o papel de se ser Encenador-Criador-Produtor e as dificuldades e asfixias que isso poderá trazer. Aqui se analisa o desafio de se fazer funcionar todas as áreas de produção (menos interpretação), explorando os limites individuais, testando a fusão do teórico-prático visando criar uma obra coesa, onde todos os elementos – sonoplastia, luz, figurino, cenografia, texto – dialogam entre si, em conjunto com a direção do ator.
ABSTRACT - This report aims to expose the creation of the play "Acho Que Faleci" (I think I died/I guess I died – on direct translation), a monologue - that flows through themes like loneliness, death and human need - and it’s supporting issues. It is an exercise of reflection, not only on the play itself, but also on the role of being a Director-Creator-Producer and the difficulties and suffocation that it may bring. It analyses the challenge of covering all areas of production and making them work (except acting), exploring individual limits, testing the fusion of theory and practice with the aim of creating a cohesive work, where all the elements - sound design, lighting design, costumes design, set design, text - interact with each other, all along together with the direction of the actor.
ABSTRACT - This report aims to expose the creation of the play "Acho Que Faleci" (I think I died/I guess I died – on direct translation), a monologue - that flows through themes like loneliness, death and human need - and it’s supporting issues. It is an exercise of reflection, not only on the play itself, but also on the role of being a Director-Creator-Producer and the difficulties and suffocation that it may bring. It analyses the challenge of covering all areas of production and making them work (except acting), exploring individual limits, testing the fusion of theory and practice with the aim of creating a cohesive work, where all the elements - sound design, lighting design, costumes design, set design, text - interact with each other, all along together with the direction of the actor.
Description
Trabalho de Projeto à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Encenação
Keywords
Morte Violência Identidade Revolta Criação teatral Encenador-Criador-Produtor Processo Death Violence Identity Revolt Theatrical creation Director-Creator-Producer Process