| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 4.39 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Este artigo propõe uma abordagem à obra da artista cubana María Magdalena Campos-Pons considerando a relação que esta estabelece com questões como a identidade, a memória, o deslocamento, exílio, diáspora ou a resiliência cultural. Estas problemáticas são encaradas numa transversalidade histórica e geracional associando autobiografia com a memória coletiva e propondo uma revisitação da narrativa histórica acerca de Cuba, onde o açúcar e a escravatura se apresentam como binómio indissociável.
Abstract: This article proposes an approach to the Cuban artist María Magdalena Campos-Pons work considering the relationship between issues such as identity, memory, displacement, exile, diaspora or cultural resilience. These themes are analyzed in a transverse way to history and several generations, associating autobiography with collective memory and proposing a revisitation of Cuba’s historical narrative where sugar and slavery appear as inseparable pair.
Abstract: This article proposes an approach to the Cuban artist María Magdalena Campos-Pons work considering the relationship between issues such as identity, memory, displacement, exile, diaspora or cultural resilience. These themes are analyzed in a transverse way to history and several generations, associating autobiography with collective memory and proposing a revisitation of Cuba’s historical narrative where sugar and slavery appear as inseparable pair.
Description
Keywords
Diáspora Escravatura Açúcar Intervenção Artística Identidade Diaspora Slavery Sugar Artistic intervention Identity
Citation
Pereira, Teresa Matos (2017). «Açúcar Amargo: Escravatura, Resiliência e Memória na obra de Maria Magdalena Campos-Pons» in CROMA. Estudos Artísticos. Vol.5, nº10, , pp.30-43