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Authors
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Abstract(s)
Este texto pretende estabelecer uma abordagem à obra da artista brasileira Karen Dolorez considerando o seu processo criativo enquanto forma de posicionamento social e ideológico. A utilização das técnicas têxteis
como o crochet ou a imagética do corpo feminino assume um sentido político que coloca o seu trabalho no contexto de uma estética feminista, ampliada à escala do espaço urbano ou do espaço desterritorializado das redes sociais e plataformas digitais na internet.
Abstract: This text intends to establish an approach to Brazilian artist Karen Dolorez’s work, considering her creative process as a form of social and ideological positioning. The use of textile techniques such as crochet or a female body imagery assumes a political meaning. Her work, placed in a feminist aesthetic context is expanded to the urban scale or deterritorialized space of digital networks and platforms on the Internet.
Abstract: This text intends to establish an approach to Brazilian artist Karen Dolorez’s work, considering her creative process as a form of social and ideological positioning. The use of textile techniques such as crochet or a female body imagery assumes a political meaning. Her work, placed in a feminist aesthetic context is expanded to the urban scale or deterritorialized space of digital networks and platforms on the Internet.
Description
Keywords
Feminismo Artes visuais Street art Textile art Feminism Visual arts
Citation
Pereira, Teresa Matos (2020) - “Ativismo, transitoriedade e feminismo na obra de Karen Dolorez”. In :ESTÚDIO, Artistas sobre outras Obras Vol. 11, número 32, outubro-dezembro 2020, pp.139-150. ISSN 1647-6158, e-ISSN 1647-7316.