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Synthesis of the Arts: The Project of Architecture in its Relation with the Process of Design. Carlos Tojal, Manuel Moreira and Carlos Roxo (1960- 1974): Multiplano, a case study.

dc.contributor.authorAntunes, Sandra Sofia Pereira
dc.contributor.authorSouto, Maria Helenapt_PT
dc.date.accessioned2023-10-26T09:35:12Z
dc.date.available2023-10-26T09:35:12Z
dc.date.issued2016
dc.description.abstractWithin the Theory and History of Material Culture, as well as the Theory of Design, this project relies not on essayistic, but on historiographical based investigation, strongly founded in documental sources. Aiming to reveal inedited documentation, actions and agents witch may contribute to the comprehension of the place of design, has of the culture of project oriented thought within the Portuguese context, it assumes as its object of study the architecture studio Multiplano – therefore, framing the problem of Design in Portugal from its process point of view, rather than from its object. Established in Lisbon around 1972 by the architects Carlos Tojal (1929-2015), Manuel Moreira (b.1933) and Carlos Roxo (b.1935), three architects known by the “Three Wonders” epithet, Multiplano and its interveners guard witness to several moments of national projectual culture. Between 1961 and 1974, Tojal, Moreira and Roxo have jointly developed a vast and coherent project-oriented and ideological body of products: demarcating up from Beaux-Arts contemplation, ideal Deco, or Modernist interactions to embrace projectual materialist dialectics, extending yet the concept of useful by structurally integrating artistic thinking along the social utopia of design; to be later overtaken by market.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationAntunes, Sandra Sofia P. & Souto, Maria Helena (2016). Synthesis of the Arts: The Project of Architecture in its Relation with the Process of Design. Carlos Tojal, Manuel Moreira and Carlos Roxo (1960-1974): Multiplano, a case study. In Duarte, Emília & Duarte, Carlos & Rodrigues, Fernando Carvalho (eds.) Design Doctoral Conference’16: TRANSversality Proceedings of the DDC 3rd Conference. Lisboa: Edições IADE, pp.17-24.pt_PT
dc.identifier.isbn978-989-8473-20-2
dc.identifier.urihttp://hdl.handle.net/10400.21/16586
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherIADE – Creative University / EDIÇÕES IADEpt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectPortuguese design historypt_PT
dc.subjectSynthesis of the artspt_PT
dc.subjectProjectual culture in Portugalpt_PT
dc.subjectMaterial culturept_PT
dc.subjectDesign studiespt_PT
dc.titleSynthesis of the Arts: The Project of Architecture in its Relation with the Process of Design. Carlos Tojal, Manuel Moreira and Carlos Roxo (1960- 1974): Multiplano, a case study.pt_PT
dc.typebook part
dspace.entity.typePublication
oaire.citation.conferencePlaceLisboapt_PT
oaire.citation.endPage24pt_PT
oaire.citation.startPage17pt_PT
oaire.citation.titleDesign Doctoral Conference’16: TRANSversality Proceedings of the DDC 3rd Conferencept_PT
person.familyNameAntunes
person.givenNameSandra Sofia Pereira
person.identifier.ciencia-id8E16-1A3E-5F92
person.identifier.orcid0000-0003-0579-0665
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT
relation.isAuthorOfPublication25da293d-5eed-4ca9-9d18-ce318b0bcf21
relation.isAuthorOfPublication.latestForDiscovery25da293d-5eed-4ca9-9d18-ce318b0bcf21

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